John, Paul, George, Ringo & Bert

 

Season 10

1973/74

Director: Alan Dossor

Writer: Willy Russell

Composer: John Lennon, Paul McCartney

Set Design: Graham Barkworth

Costume Design: Sandra A. Hemingway

Music performed by Barbara Dickson

Cast

John Lennon: Bernard Hill
Paul McCartney: Trevor Eve
George Harrison: Phillip Joseph
Ringo Starr: Antony Sher
Bert McGhee: George Costigan
Designer: Robin Hooper
Reporter: Cengiz Saner
Photographer: Cengiz Saner
Alan Klein: Nick Stringer
Clothing Manufacturer: Nick Stringer
Foreman: Nick Stringer
Sam Platt: Nick Stringer
Ambassador: Nick Stringer
Hitler: Nick Stringer
Mr. Harrison: Nick Stringer
Promoter: Robin Hooper
Mrs. Starkey: Val Lilley
Brian Epstein: Robin Hooper
Mr. McCartney: Robin Hooper
Ballroom Manager: Robin Hooper
Stewart Sutcliffe: Antony Sher
Pete Best: Antony Sher
Indian Peddlar: George Costigan
Stage-Door Keeper: Nick Stringer
Linda McCartney: Helen Brammer
Joey Stix: Terry Canning
Film Maker: Linda Beckett
Yoko Ono: Linda Beckett
Titular 3: Linda Becket
Woman at Embassy: Linda Beckett
Kid: Linda Beckett
Freaky Chick: Elizabeth Estensen
Deb: Elizabeth Estensen
Stewardess: Elizabeth Estensen
Titular 2: Elizabeth Estensen
Theatre Manager: Cengiz Saner
Agent: Helen Brammer
Aide: Cengiz Saner
Deb: Helen Brammer
Reporter: Helen Brammer
Tiny Tina: Helen Brammer
Auntie Mimi: Helen Brammer
TV Commentator: Val Lilley
Liverpool Lass: Val Lilley
Titular 1: Val Lilley
Ambassador’s Wife: Val Lilley
Reporter: Val Lilley
Bob Dylan: Terry Canning
Alice: Elizabeth Estensen

 


Reviews and Quotes

“Why has no-one done it before? Perhaps only a scouser like Willy Russell could have the self confidence to tackle Liverpool’s great phenomenon…it’s funny, incisive, well-acted and makes its points without any arty philosophising….The four Beatles do not sing and play on stage. Instead the band proceeds to play Beatles songs taken out of chronological order to interpret the action as it moves along. The clever effect is of the Beatles being almost out of control of their own material, having their songs thrown back at them as an ironic comment on their lives."
- Dusty Hughes, Time Out 2-8/8/74

“There’s a couple of expressions that I know are convincing to an audience but they probably wouldn’t be convincing to me if I’d seen myself do them in a mirror. We give people enough clues, like glasses for Lennon in my case, and the nose in Ringo’s case, and then what happens is that the audience does the rest. We try to create an image for the audience to grab hold of – and then let them add on."
- Bernard Hill, Plays and Players, September 74

"The production is clearly influenced by Joan Littlewood – which is not a bad thing and although the play is no Oh What a Lovely War, it’s good to see perhaps Liverpool has something to learn from London after all. The surprise of the evening is Barbara Dickson who plays the piano and sings…Miss Dickson sings in a voice of slate and marble, brass and fire. It’s the voice of the Liverpool kop, it’s a voice in love with what it sings, a voice made for singing."
- Barry Took, Punch 28/8/74